"The Souls of Paolo and Francesco," by Gustav Dore, illustrating Canto V of Dante's Inferno
The following are some reflections on Dorothy L. Sayers’s essay “Dante and Charles Williams,” published in The Whimsical Christian: 18 Essays by Dorothy L. Sayers (New York: Collier Books, 1987):
Dorothy Sayers rarely wrote an uninteresting word–much less when talking about her chief late-life passion: the great Divine Comedy of Dante Alighieri.
Like C. S. Lewis, Sayers saw in the quirky novelist, Dantist, and romantic mystic Charles Williams something of enduring value. Especially, she saw Williams as having grasped a crucial point about why Dante–and countless other historical figures–are still important to us today. [I posted here on how Sayers, Lewis, and Williams all drew different sorts of sustenance from that great poet.]
The point is this: Dante, despite the fact that he lived “long ago and far, far away,” was a human like us, with experiences in many respects like ours, and he is still of great value to us because he had acute insights into the truths behind those experiences, along with a poet’s ability to express those insights deeply and brilliantly. Continue reading
This headline seems to fall in the “man bites dog” category. From a professor (also dean and VP) of Westminster Theological Seminary in Pennsylvania, we expect precise articulations of Reformed doctrine. Defenses of biblical inerrancy. Disquisitions on the priority of theology over experience.
Medieval Wisdom for Modern Christians
Grateful to the dead 