Tag Archives: Azusa Street Revival

Reclaiming the physical in Christian worship


holy-wounds-devotionHere’s the last bit of the “affective devotion” chapter draft for Getting Medieval with C S Lewis:

Reclaiming the physical

Finally, among the varied aspects of our human nature, our emotions seem especially closely tied with our physical bodies. We use the same words, “feeling” or “being touched,” for the physical senses and for emotional experiences. But reading Margery Kempe’s Book makes me ask: Where has the sense of the spiritual importance of touch or physicality gone in today’s culture? Are these human senses now allowed to communicate anything true or spiritual to us? We have plenty of the visual in our TV- and movie-soaked culture, and even in our churches. But how often do we experience anything spiritually significant through touch? The most intense, ecstatic touch-experiences, those of our sexuality, have been devalued and dehumanized through obsessive attention and being made into the commodities of the impersonal marketplace. I think that like Mel Gibson’s The Passion of the Christ, Margery’s life of devotion and the whole English mystical tradition can help to draw today’s Christians back to the sort of visible, physical devotion epitomized in the medieval pilgrimage.

In the mid-90s I was giving a lecture on Pentecostalism at an evangelical seminary in New England. I was describing the huge influxes of eager believers, every day, by the busload, to the Azusa Street Revival that launched Pentecostalism in 1906, and again to the modern Toronto Airport Vineyard revival and the Brownsville/Pensacola revivals One student put up his hand and asked, with skepticism in his voice: “Why do Pentecostals and charismatics feel that it’s so important to actually go to the place where a revival is supposedly happening, to ‘bring back’ that revival to their home churches?” Continue reading

Potpourri: Katrina’s fallout in a New Orleans parish, a post-Christian museum, Pentecostalism’s real birthplace, Corrie Ten Boom’s house, a Holy Land exhibit and three British kings


After Hurricane Katrina, I was working on putting together Christian History & Biography’s front-of-issue “candy bowl” of church-history-in-the-news pieces, and I ran across the story of the Roman Catholic Church’s decision to close St. Augustine parish. The tale of that decision’s aftermath made it into our “Living History” for Issue 90: Adoniram & Ann Judson: American Mission Pioneers. Since the story didn’t end there, I’ve inserted after the original article, below, an update that appears in Wikipedia about the fate of that parish.

Living History
Compiled By Chris Armstrong

In New Orleans, the saints go marching on.

Since Hurricane Katrina devastated New Orleans, a small but vibrant Roman Catholic parish has entered the public eye. As the city’s Catholic hierarchy struggled to deal with widespread damage to church property, the St. Augustine parish was slated to close in March and merge with the much larger St. Peter Claver parish several blocks east. But parishioners and supporters protested. “There are people who have roots in this church who are all over the country,” New Orleans resident Joan Rhodes told The Louisiana Weekly. “You shut that down and you really are putting a knife in the heart of the culture.”

St. Augustine was founded in 1841 by slaves and free blacks and through the years has also welcomed Creole, Haitian, French, and Spanish worshippers. Today, one result of this unique cultural ministry has been a Sunday morning service belying “America’s most segregated hour,” as people of many backgrounds, races, and ages gather amidst the stained-glass saints and oil paintings of Christ to sway and clap under the leadership of one of the city’s best-known clergymen, 76-year-old Fr. Jerome LeDoux. In his 15 years at St. Augustine, Fr. LeDoux has established the parish as a focal point for New Orleans culture, integrating jazz music and African drumming and dancing into the worship, blessing local jazz groups, and holding festivals and special services to commemorate musicians such as Louis Armstrong. Continue reading