I posted recently (Nov. 2) on “Tavern tunes in church music and ‘Why should the devil have all the good music?'” The piece, posted a while back on www.christianhistory.net, used a Canadian Anglican clergyman who calls himself “Elvis Priestly” as a jumping-off point for a consideration of “Christian pop culture.” This is a follow-up, thinking a bit more about how pop-culture presentations of gospel themes can help or hurt the cause of Christ. One of my favorite writers, Dorothy L. Sayers, shows up here with a few words of wisdom:
Caveat Gyrator (Elvis Priestly, Part II)
So you’ve got an evangelistic pop-culture act ready for prime time. Here’s a historical pause for reflection.
Last week we looked behind the recent headlines about “Elvis Priestly,” a Canadian Anglican minister who has integrated a jump-suited impersonation routine into his sacred services. We surveyed a few of the many points at which Christians have co-opted popular artistic forms in order to get their evangelistic message across (Part I: From Oratorios to Elvis).
This week, we ask the questions: how have Christians historically reacted to such forays into popular forms? And how successful have the resulting products been in themselves—that is, as songs, plays, novels, and so forth, quite apart from their message? Of course, we can only touch the surface of these issues. But with Elvis now in the (church) building, this seems a worthwhile use of a few minutes. Continue reading