5. Reason and imagination (or maybe better, “truth and beauty”
Because WordPress does not allow for the “read more” section divider (crucial for shortening the part of each post that shows up on this blog’s main page) to be placed in the midst of a numbered list, I’m simply going to say here: this is the lastdyad of ideas that (in my opinion) Christian humanism often, in its history, attempted to bring together.
Actually, one more note too: After having proposed this Christian humanist “dyadic harmonization thesis” to our seminar development team, I started (the other day) reading the brilliant, clear, and well-researched account by Australian scholar Tracey Rowland of war-time and post-WW II German Christian humanism, Beyond Kant and Nietzsche: The Munich Defence of Christian Humanism. In that book, I’ve already discovered plenty of evidence of such dyadic harmonization in the German Roman Catholic thinkers whose Christian humanist thought Rowland so clearly and persuasively summarizes. In another post I may note a few of those spots in Rowland’s book.But for now, the list . . .
English: Madonna and child, thought to have been damaged during the English Civil War, at St Mary’s Roman Catholic church, Brewood, Staffordshire, England. (Photo credit: Wikipedia)
In the “creation chapter” of my forthcoming Getting Medieval with C. S. Lewis, after a brief reflection on the opposite-but-the-same Western tendencies that have crept into our Protestant churches – Gnosticism and materialism – I turn to the arts to see how these tendencies have manifested themselves there.
Evangelicalism and the arts
Let’s put a finer point on the issue by looking briefly at the evangelical Protestant churches and the arts. Where are the arts in modern orthodox Protestantism? One author looks at the century from 1860 to 1960 and finds only C. S. Lewis and T. S. Eliot practicing the creative art of literature to a high degree from an orthodox Protestant stance. During the same period, the Catholics produced an embarrassment of literary riches, from Tolkien and Flannery O’Connor to Gerard Manley Hopkins and Evelyn Waugh. All these, and many other Catholics, were “world-class writers,” and all orthodox Christians. The same seems to be true – perhaps even more so – in other fine arts. Similarly, few evangelicals have excelled in the worlds of television and movies. Indeed, “evangelical Protestants, especially, have not only not shone in the fine arts, they have often opposed such arts or valued them only as vehicles for evangelism, objecting to much of their subject matter.” The author concludes that the problem for Protestants (and the superiority of Roman Catholics) in the arts stems from a difference in approach to Creation. Whereas Protestants often emphasize how fallen Creation and human society are, the theology of the Roman Catholic Church has proved more Creation-positive, and thus more likely to affirm and create images of the world, whether literary or in the visual arts. Continue reading →
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