This is the third part of the tour of medieval heart religion from the affective devotion chapter of my Getting Medieval with C S Lewis. It follows the first part here, which looks at Origen and Augustine, and the second part here, on Gregory the Great:
There is no better example of the holism of love and logic, theology and devotion, in the medieval period than Anselm of Canterbury. When not chasing dialectical rabbits in his attempt to understand, but not explain away, the mysteries of God’s existence and Incarnation, Anselm wrote a series of highly evocative, meditative, imaginative prayers focused on the lives and personalities of Christ, Mary, and the saints, designed for people to use in their private devotions. His stated purpose in publishing these was “to inspire the reader’s mind to the love and fear of God” and inflame the desire to pray.
This was the beginning of a shift in “canons within the canon,” from the early medieval spiritual focus on the Old Testament (especially the Psalms) to the high and late medieval fascination with the Gospels.
Medievalist R W Southern finds Anselm’s in prayers an “unusual combination of intensity of feeling and clarity of thought and expression.” He attributes to them “a new note of personal passion, of elaboration and emotional extravagance” that would change devotional practice henceforth, opening the way to the “masterpieces of late medieval piety.” Continue reading