Aquinas with his favorite novel? (The Glory of St. Thomas Aquinas, detail. Paris, Musée du Louvre.)
A nifty post by “Theology PhD Mom” on novels and theology, including a run-down of some of the theological themes in Nick Hornby‘s About A Boy (which later became a movie starring Hugh Grant). Some snippets:
“My PhD advisor has often suggested that fiction is good for theologians to read. Until I met him, I had generally thought that my reading mystery novels when I was supposed to be reading Barth IV.2 or, heavens, the Summa Theologica, was a big vice. But who am I to argue with my Doktorvater?”
Excellent start. And then quickly, a list of a few theologians (and one medievalist) who also wrote mystery novels:
“G.K. Chesterton (Father Brown), Dorothy Sayers (Lord Peter Wimsey), Ralph McInerny (Father Dowling – and I used to love the tv show, shot in my very own beloved Denver), to name a few. Continue reading
Posted in Medieval Wisdom for Modern Protestants, Resources for Radical Living
Tagged Brother Cadfael, detective fiction, Dorothy L Sayers, Lord Peter Wimsey, mystery novels, narrative theology, Nick Hornby, novels, Ralph McInerny, Summa Theologica
I posted recently (Nov. 2) on “Tavern tunes in church music and ‘Why should the devil have all the good music?'” The piece, posted a while back on www.christianhistory.net, used a Canadian Anglican clergyman who calls himself “Elvis Priestly” as a jumping-off point for a consideration of “Christian pop culture.” This is a follow-up, thinking a bit more about how pop-culture presentations of gospel themes can help or hurt the cause of Christ. One of my favorite writers, Dorothy L. Sayers, shows up here with a few words of wisdom:
Caveat Gyrator (Elvis Priestly, Part II)
So you’ve got an evangelistic pop-culture act ready for prime time. Here’s a historical pause for reflection.
Last week we looked behind the recent headlines about “Elvis Priestly,” a Canadian Anglican minister who has integrated a jump-suited impersonation routine into his sacred services. We surveyed a few of the many points at which Christians have co-opted popular artistic forms in order to get their evangelistic message across (Part I: From Oratorios to Elvis).
This week, we ask the questions: how have Christians historically reacted to such forays into popular forms? And how successful have the resulting products been in themselves—that is, as songs, plays, novels, and so forth, quite apart from their message? Of course, we can only touch the surface of these issues. But with Elvis now in the (church) building, this seems a worthwhile use of a few minutes. Continue reading