Tag Archives: G K Chesterton

Summary of chapter 7: Heart religion as a medieval tradition


Charles Williams was captivated by Dante Alighieri’s belief that he had been led to salvation by a young woman with whom he had become infatuated with when he was a boy. From Dante’s vision of Beatrice, Williams elaborated a “romantic theology.” Chesterton discovered a similar romantic dynamic in the life of “God’s troubadour,” Francis of Assisi. Lewis described his conversion as the surprising discovery of joy. Each of these writers was drawing on a distinctively medieval tradition of affective theology, exemplified especially in such late-medieval mystics as Julian of Norwich. Continue reading

Summary of chapter 4: An all-embracing passion for theological knowledge


In one sense, all of medieval theology was a series of footnotes on Augustine, who had insisted that knowledge begins with faith and faith provides a foundation for knowledge. During the high and late medieval periods, Augustine’s impulse blossomed, through thinkers such as Anselm of Canterbury and Abelard, into a full-blown scholastic theology. Scholasticism gets a bad rap (“Angels on the head of a pin” and such like), but the scholastic doctors were trying to make more intelligent and effective the loyalty to the Christian faith which had become nominal through the mass conversions of the earlier centuries. Indeed, they were actually beginning a democratization of the faith that bore fruit in the Reformation. Their use of reason in theology made knowledge of God accessible, not merely to the cloistered monk with his intense and constant mystical exercises, but to anyone able and willing to think. Continue reading

Summary of chapter 2: Creation’s glory and sacredness


We begin with Chesterton’s sheer amazement that anything at all existed—his creation spirituality. From there we go to Lewis’s passion for the everyday-ness of mundane things (reflected in his fondness for cross-country walking tours) and his imaginative rendering of the Christian story of Creation in books such as Perelandra and the Chronicles of Narnia. Then we move to Tolkien’s reworking of medieval world-sacramentalism into an artistic critique of the modern industrial complex’s wanton destruction of the environment (framed by the creation narrative he presents in the Silmarillion). Continue reading

Summary of chapter 1 (Introduction): C. S. Lewis and friends—guides into medieval faith


Many evangelicals today have marinated in the imaginative and apologetic writings of C. S. Lewis, J. R. R. Tolkien, G. K. Chesterton, and Dorothy L. Sayers. We love these writers for their Christian imaginations and their clear insights into how the gospel critiques modern culture and speaks to modern hearts and minds. But we do not stop to look into the deep well from which each of these drew: medieval Christianity. Each was a published scholar in the field of medieval studies. Together, they serve as a group of docents, ushering us into the strength and wisdom of medieval faith. I will use them as such in this introductory chapter.