The “faith and work movement” in America is in danger of deepening the sacred-secular divide . . . by approaching and understanding church in some secularizing ways. If we want to find the sacred in the world – including in our workplaces – we must first find it in our churches. And when we do, our work can be revolutionized.
That is the burden of this short TED-style talk I recently presented at a meeting of faculty members teaching in the Oikonomia Network of seminaries. The talk draws from a still-popular book called For the Life of the World, based on a series of talks on the mission of the church by the late Alexander Schmemann of St. Vladimir’s Seminary (Eastern Orthodox) in New York.
Let’s get medieval on the church today!
Seriously, it’s great to see this article, and this whole issue – which Joel Scandrett and I first envisioned many moons ago – come to fruition through the as-always-excellent work of Jennifer Woodruff Tait, Dawn Myers-Moore, Doug Johnson, Dan Graves, Joeli Banks, Meg Goddard Moss, Edwin Woodruff Tait, Kaylena Radcliff, Deb Landis, and of course our redoubtable Executive Editor Bill Curtis. You can peruse every page in glorious color at https://christianhistoryinstitute.org/…/issue/modern-amnesia. And if you like it, don’t forget to subscribe! (It’s on a donation basis.)
An outstanding short review of a book about Dorothy L. Sayers’s theology of work. Book by Christine Fletcher. Review by my friend, faith & work journalist Dr. Jennifer Woodruff Tait. Platform: a faith & work blog geared for movement leaders, and well worth reading: http://www.greenroomblog.org. Book Review: The Artist and the Trinity.
Now this is fascinating.
“Knighton may confirm some of our Game of Thrones-esque expectations about the European Middle Ages, one marked by God’s wrath and a conservative religiosity. But, despite his intentions, Knighton also undermines our expectations by showing us a vibrant Middle Ages filled with color, pageantry, laughter, and performance – one in which people don’t act like we think they’re “supposed to.” In other words, Knighton almost by accident shows us a slice of the real Middle Ages, populated by living, breathing human beings.”
Any thoughts on this out there in Friends-of-Grateful to the Dead-Land?